Anyone got $800 I can have?

I'm not in the habit of begging for money, and it's not like I'm even hard up for cash right now, it's just that with our 2012 goal of sticking to a strict budget, I find myself in a state of emergency.

You see, there's some guy out there on Etsy, Jason Heuser, who makes some of the best freaking jingoistic sci-fi apocalypse pro-America art in existence. (By that I mean he's the only guy doing it.)

If you don't believe me (and you should, it's not like I lie ever, frick) go check out his Etsy store here. The large prints (2' x 3') are 80 bucks a pop, and there are roughly ten to choose from, and I want all of them. (Even the FDR one, but mostly because he's 90% Optimus Prime in that picture, and not out of any love for FDR.)

There's also Abe Lincoln on a grizzly bear with an M16,

Teddy Roosevelt chomping a cigar whilst fanning a bar from the hip and taking down Bigfoot,

JFK riding a robot unicorn on the moon,

Andrew Jackson slaying aliens,

George Washington during a zombie apocalypse,

Paul Revere in the world of Tron,

and Ben Franklin stealing lightning from Zeus.

(To say nothing of Thomas Jefferson serving a wicked left cross to a silverback gorilla.)

If he'd gone all the way and had John Paul Jones double-wielding chainsaws against a kraken, I'd have to accuse him of invading my dreams.

I don't know who this Jason Heuser is, but he's stolen the wind from my sails. It's like he knows exactly who I am, and made a product just for me, and it's all more expensive than I can afford right now. What a cruel heart you have, sir!

Sigh. All the same, God bless America.

Posted by Graham | at 9:00 AM | 0 comments

Flying Blind

Not my current vehicle, but an adequate visual.

Last weekend Schaara and I were in Utah for Life, The Universe and Everything. It's a writer's conference, one of many in that state, though I'd never attended that particular one before. This year they had a panel for MONSTERS & MORMONS, and though I wasn't on it, the panelists called on the contributors in the audience to give a quick plug near the end, so I at least got to talk about my novella, BROTHERS IN ARMS. That was fun.

We stayed with our friends Ryan & Debbie, and had a blast. One of the things I miss about living in Utah is all the friends we have up there. I've been back here for a year and a half and still haven't found anyone to fill the void they left. (So y'all should move down here.)

The highlight of the conference was when we got to have dinner with James A. Owen--a big thanks to Donna for setting that up. A single blog post can't sufficiently express how amazing that man is. I want to be like him in so many ways. Just awesome.

Anyway, the reason for the above picture and the title is this: in 2010, a week before I got married, I had to drive from Salt Lake to Henderson in the worst snowstorm I've ever seen. Snowpocalypse, Snowmageddon, whatever. You get the idea. It took me about five hours to get from Spanish Fork to Cedar--usually a two hour haul. All in all the drive took ten hours, exceeding my previous personal worst of nine hours, which I only achieved because of severe engine problems in an Oldsmobile.

Basically the snow was coming down thick, heavy and fast. You couldn't see more than ten feet ahead of you, so you had to turn off your high beams and keep it in--we're talking max, here--second gear. Anything more is suicide. You can't see the road, can't see the lines or even when it bends, because oh yeah, I was driving this at night. Your best bet was to creep up on a slow-moving semi and follow in its tracks, so long as the semi itself wasn't headed off the road.

And I saw a few of those, along with plenty of regular passenger vehicles, and a minivan that had flipped over. Just sad.

I can say without hesitation that I've never been so scared in my life. I couldn't stop, because the snow would bury me. I couldn't go any faster, because I'd probably die. So I had to patiently, slowly creep through a claustrophobia-inducing storm, one damn mile at a time.

There were only two things to guide me along the way: the ridges in the shoulder that tell you when you're too close to the edge, and the little waist-high posts with about three square inches of reflective tape on the tops of them. When I could see or feel either of those things, I corrected my course, and continued until my tires vibrated, or I saw the telltale glint of tape through the storm.

When I stopped in Cedar, I got gas, called my then-fiancee, and knocked about two hundred pounds of snow out of my wheel wells and headlamps. (Not joking.) And mine was one of the better-equipped vehicles on the road, having decent ground clearance and all-wheel drive.

Obviously, I made it home, and none too gratefully.

I bring this up for a reason: when Schaara and I were coming back from LTUE, we took turns driving. She insisted on the first shift. This winter was milder than last winter, which in turn was colder than Hell (yes, colder, ask Dante), so we weren't worried about the weather. Ergo, I took a nap.

Schaara woke me up a while later and asked me to stay awake for a few minutes. I looked out the window and it was snowing--hard. Almost like it was during Snowmageddon. Couldn't see much, though it wasn't piled on the ground. Since I didn't have all my faculties about me, I was kind of just going on auto-pilot, my mind just processing the most basic information.

I could see the lane dividers on the road. I saw the reflective road-posts on the shoulder. Headlights in the rearview mirror, taillights not too far ahead of us. Before I knew what I was doing, I navigated Schaara into the right light and told her to ride behind the semi until we were through the worst of it. A minute later the snow eased up, and we were fine. I went back to sleep.

The point is this: sometimes, life sucks. It gets hard, and we can't give up, because that means it'll only get worse. So when it does suck, you get rid of everything you don't need and just focus on the basic things that'll keep you on the road. It'll be hard, but it'll be worth it. You'll make it through, just be smart, be diligent, and don't overthink it. You'll be fine.

And when it's over, be glad for the experience. It'll come in handy.

That's all for today, folks. Hope that lesson helps somewhere along the line.

Get back to work.

Posted by Graham | at 9:00 AM | 0 comments

January 2012 Writing Count

During 2012, I'm keeping track of how much writing and editing I actually get done. My minimum goal is 1000 words per day, except on days when I'm editing. Since it's hard to count how much new stuff I write during the editing phase (unless it's a major surgical rewrite) I'll just put a few notes on how much editing I do. **Note: I don't write on Sundays, and only sometimes on Saturdays.

2 Monday
Edited four chapters on SPECTER CELL, cleared major combat scene hurdles.

3 Tuesday
Edited another three SC chapters, zooming in on the end.

4 Wednesday
Edited the rest of SC, compiled, formatted, sent it to Joan.
Got to get cracking on Sidewinder. For every day that I delay, some other @$$hole gets closer to publishing his robot book before mine. Whoever he is, he can eat it.

5 Thursday
Started on new Sidewinder outline, making good headway. Hard to say where I'll be by week's end, but it's looking good. Outline on this one will be really thorough.

6 Friday
A lackluster effort on the Sidewinder outline. Added a few things, stumped with others.

7 Saturday
Had a better showing today, made major progress on SW and even set some deadlines. Jan 20 for the first act (nine chapters plus a prologue.) Also did two more drawings for Technomancer.

9 Monday
Full speed ahead on Sidewinder. New prologue and new first chapter. Tomorrow, the rest of the story gets underway. Boo-yah! 2100 words.

10 Tuesday
Wrote a chapter, but I didn't outline it beforehand, and least not in detail. Suffered by the end, I'll have to bat cleanup on it during edits. 2600 words tonight.

11 Wednesday
Outlined the chapter before I wrote it. 8-10 bullet points, including how one thread segued into the next. Much more fluid than last night. I'm writing this story in alternating present tense and then past tense (flashbacks, sort of.) The present-tense scenes are quicker, to give a bit more of a hit-and-run feel. Tonight was present tense, I did 1400 words. Current total, 6100 words.

12 Thursday
Outlined, then wrote. I'm liking that method. Hit a few snags, trying to keep the flow going, but I think it'll work. I've learned that I suck at writing date scenes, probably because I sucked at dating. 2K tonight, 8100 total.

13 Friday
Wrote about 1200 words, wrapped up another chapter.

16 Monday
Wrote another chapter on Sidewinder (1700 words), but it was complete s***. Gonna have to go back to the drawing board on that one. S'all good, I just got an email from the agent and I have to do some Specter Cell work now.

17 Tuesday
Brainstormed how to fix the Sidewinder problem, flipped it the bird, started motoring on Specter Cell. Far fewer things that need fixing :-D Feels good.

18 Wednesday
Finished edits on Specter Cell, wrote half of another scene for Sidewinder. About 700 words.

19 Thursday
Wrote an action scene in Sidewinder, then outlined and started another chapter. 2400 words.

20 Friday
Got in another chapter and a half. Current total 14K.

21 Saturday
Worked on an action scene, only did 1300. 15,300 total.

23 Monday
Didn't get as much done as I wanted to. Distracted. Which is lame. Wrote 1000, finished action scene, now on to next chapter. **Ha! Scratch that, went back and did another 1300. 17,652 total.

24 Tuesday
Got another 1700 in. Total now at 19,300.

25 Wednesday
1300, new total is 20,600. Should have done two chapters tonight, didn't. Need to step it up.

26 Thursday
Actually did well, wrote around 1700. Kind of bumpy, had to restart in a few places.

27 Friday
Clocked another 1600. Getting to the action scenes soon. Awe. Some.

28 Saturday
Had to deviate from the outline a little bit because one chapter--an action chapter--was running a little long. It's okay though, I've made some adjustments to fix the outline. Every time I do, it gets stronger. Broke 27K tonight, did 2500 today alone. A very good day. Should still have act 2 finished by Jan 31, only one day off original goal (and this with doing edits on Specter Cell AND scrapping 1700 words of this book. Eat it, deadlines.)

30 Monday
Did a thousand words. Wanted to do more, but am adjusting to new schedule with workouts and whatnot. Total is over 28K. Will blow a bigger hole in it tomorrow.

31 Tuesday
Killed it with 2700 tonight, now at 30,700 in this MS. Much stronger, got a good framework for the edits in February.

OVERALL JANUARY ACCOMPLISHMENT:

Finished rewrites on a 2011 manuscript.
Finished a round of polishing edits on said manuscript, agent has it on sub.
30,700 in a new manuscript.
1,800 in the outline for that manuscript.

Met my desired average of 1K/day, minus Sundays. Not. Bad.

Bring on February.

Posted by Graham | at 9:00 AM | 0 comments

Judging a Book by its Cover (Intentionally)

I find it interesting when a publisher decides to change the cover of a book they just recently put out. After a couple of years, sure, it kind of makes sense. Or if you're doing something different with the paperback, that works too. But when it's only been six months, weeeeeell...

Sometimes, though, when you see the before-and-after, you can see why they changed certain things. Two examples:

The Girl Who Could Fly, by Victoria Forester. 



This is the cover art for the hardcover version. When you look at this, you think...Old. Little House on the Prairie. Bonanza. Something like that. And sure, the artwork is kind of fitting, at least for the first part of the story, but as it progresses from a folksy tale about a girl who can fly and lives on a farm, to something more like X-Men, it needs to have a different feel. 


This is the paperback artwork, and I love it. I'd seen the hardcover and it didn't interest me, but this one caught me eye. When I realized I'd heard of it before, and it had a graphic-novel aura now, I went ahead and bought it, and it's great. So the change made sense.


Here's another example, The Other Side of the Island by Allegra Goodman. Think of it as an eco-dictatorship version of 1984. Very cool story, very interesting world. Felt like I was there the whole time. 



Check out the hardcover art. It's all blurry and mystical and whatnot, might even feel like the island from Lost. And since the weather played a big part vis-a-vis global warming, it works.



This is the change they wrought for the paperback. Totally different, and probably a little more fitting, especially with the crack in the snow-globe. (Read the book and you'll see why.) I very much recommend this one, a good emotional read.


Anyway, I'm about to present to you another changed book cover, from Elana Johnson's Possession. The original art was rather minimalist--a plain white background, some color-coordinated text, and a thought-provoking image of a butterfly in an ice cube. Enough to make you curious, right?


This book came out in June of last year. Six months later, they've changed the cover art to this:




The changes are subtle, and if I didn't work for a company that works with fonts and text layouts on a daily basis, I might not have understood why they did what they did. Here's my take on it:

1) The made the most interesting part (the butterfly) a lot larger. More detail, more to look at.

2) They added a soft color background that offers a sharp contrast to the central piece, making it stand out even more.

3) The font they chose has softer curves, and the colors of the text blend in more smoothly with the background.

4) The tagline is longer, offering a little more mystique.

I think this is a cool change. It makes the book more of an attention-getter. You're not supposed to judge a book by its cover, but surprise! People do. So maybe after six months of pushing one cover, they figured out how to make it jump out more, and they made some changes. Not a problem.

Unless you want the whole series to look the same...but that's another issue.

BONUS: Check out the cover art for the sequel, SURRENDER. Original and new art both featured below. 







Posted by Graham | at 7:32 PM | 3 comments

Tonight's Writing Music: Hans Zimmer

Somehow, some blessed soul out there got his hands on an early draft of the soundtrack to The Dark Knight Rises. Selections have already gone viral on YouTube.

Tonight's piece is called "Fine Against Cats."

Bring it.


Posted by Graham | at 10:45 PM | 0 comments

Tonight's Writing Music, TSFH: Jump

24Jan2012

I use a YouTube playlist stocked with scores and instrumentals when I write. A lot of the music is really awesome, so I'm sharing it with you here, one bit at a time.

Tonight's piece is by Two Steps From Hell, and it's called "Jump."

Enjoy.


Posted by Graham | at 10:33 PM | 0 comments

Tin Foil Hat Alert

22 Jan 2012

Recently I had to inform my agent about a problem I've had for several years with regard to my ideas: they're awesome. Normally this isn't an issue, but when they're so awesome that my competition routinely send mind-reading dwarves into my home to extract them from my head while I sleep...well, it can raise an eyebrow or two.

Take, for instance, a now-scrapped sequel (2006) to my long-running sci-fi novel SIDEWINDER. In it, my protagonist Riley (a cyborg) runs into a brother he thought was dead. Turns out the brother was just reanimated as a cyborg, like Riley, and took a new lease on life. His code name was Live Wire, and he had mechanical prosthetics. He also had red hair and blue eyes.

Oh, wait. DC comics has a superhero THAT FITS THAT EXACT DESCRIPTION. 


In 2008, I wrote a story about a Miami-based serial killer who, for personal reasons, only assassinates adulterers. I was hooked on Burn Notice, and that was the only reason I chose Miami as a setting.

A year later, someone explained to me what Dexter was all about.


In 2009, Michael Bay flipped me a very special bird with a key plot point to Transformers: Revenge of the Fallen. (I use the word "plot" in its loosest form.) Megatron (the big bad robot) wants something inside Sam (the plucky protagonist)'s head.

That'd be fine, if it WASN'T THE KEY POINT TO MY NOVEL SIDEWINDER.


I thought I'd mix it up by plotting out the third novel, wherein Riley and his friends go to a secret base on the moon. Then Transformers: Dark of the Moon came out.



And don't even get me started on this recently-announced movie billed as "Ghostbusters go military." Because it sounds a little too damn much like the veil-walkers' Ghost Infantry Corps from SPECTER CELL. 


After a few reiterations, I came up with a cool start for the most recent version of SIDEWINDER. I'll spare you the details, except to say that last night when I watched Cowboys & Aliens for the first time...



I mean I know it's possible for two people to come up with similar ideas at the same time...but frick, dude.

From here on out, I'm rocking tin foil headgear when I sleep. This ends now.


Get back to work.

Posted by Graham | at 10:33 PM | 2 comments